The line that describes the beautiful is elliptical. It has simplicity and constant change. It cannot be described by a compass, and it changes direction at every one of its points. This is easily said but hard to learn: no algebra can determine which line, more or less elliptical, will mold the various parts into beauty. But the ancients knew it, and we find it in their human figures and even their vessels. just as there is nothing circular in the human body, so no profile of an ancient vessel describes a half circle.
Johann Joachim Winckelmann
michaelcharles:

R.H. Quaytman/Silberkuppe, Chapter 17, 2010
Silkscreen, gesso on wood24 ¾ x 40 inches (62.9 x 101.6 cm)
On October 10, 2011 at 9:45am

michaelcharles:

R.H. Quaytman/Silberkuppe, Chapter 17, 2010

Silkscreen, gesso on wood
24 ¾ x 40 inches (62.9 x 101.6 cm)

(via wowgreat)

hollisbrownthornton:

Sunsetpigment transfer on paper 8 1/4 x 10 1/4 inches hbt11-p025 Edition of 52011Available for purchase HERE
On October 10, 2011 at 9:30am

hollisbrownthornton:

Sunset
pigment transfer on paper 
8 1/4 x 10 1/4 inches 
hbt11-p025 Edition of 5
2011
Available for purchase HERE

(Source: Flickr / hollisbrownthornton, via robynsmorgue)

photographyinspired:

More abstract art: Frank Gehry’s magnificent staircase at the Art Gallery of Ontario in Toronto. Taken with a Nikon D3100.
On October 10, 2011 at 8:36am

photographyinspired:

More abstract art: Frank Gehry’s magnificent staircase at the Art Gallery of Ontario in Toronto. Taken with a Nikon D3100.

(via modern-aristotle)